|
Kate
Glover (Elisabeth Löwenfeld/Writer)
|
Recent
theatre work: Kate’s
most recent theatre work was the role of Alice in Two Week Wait at
The King’s Head Theatre (October 2009). In April the same year, she took
over the role of Ann in The Cocktail Hour (English Theatre of
Hamburg). Previous to this, she played Hannah More in An African’s
Blood (National Tour) Phyllis in Alan Ayckbourn’s Seasons
Greetings (Arts Depot) Anne Vaux in Five Eleven (Tour)
Claire in The Crush, Miss Prism in The Importance of Being
Earnest, Signora Hermil in L’Innocente,
Mercedes Golden in Thugs and Sister Helena in The Sound of Music
(BAC). Film roles include a Cabinet Minister in Love
Actually (2003) and the Mother in Propriety (2006). TV includes
Divorce - The Law and Love Where You Live
for the BBC.
Previous plays: An African’s
Blood (2007/8) about the abolition of the slave trade, Five
Eleven (2005) - about the Gunpowder Plot,
(Tour), Evelina (2004) an adaptation of the
novel by Fanny Burney (Pentameters Theatre), A
Passionate Englishman (City Of London Festival), Do You Like Being
an Aunt? and Gerard Manley Hopkins S.J. She founded Historia
Theatre Company.
|
|
Emma Hay (Margarete Meier)
|
Emma
completed her MA in Acting at ALRA, The Academy of Live and Recorded
Arts in 2009. Since then she has done lots of varied work including
playing Joan, Tess’s mother in Tess of the d’Urbervilles at
Baron’s Court Theatre and has enjoyed some challenging, albeit
gruesome, film roles. Emma has also recently recorded some pieces of new
writing for Veni Vidi Theatre Company.
Before
training as an actor Emma had years of experience as a freelance Stage
Manager and originally trained at the Royal Welsh College of Music and
Drama. She has worked and toured over most of the UK and also taught
several times for National Youth Theatre Wales but now feels she has
‘come home’ as an actor and is having a great time.
|
|
Carole Carpenter (Hanna Löwenfeld)
Photo by Bridget McCann
|
Carole
trained at Mountview, after a Masters in Text and Performance at
RADA
/Kings College London. Theatre
credits include touring her acclaimed solo Jane Austen show The
History of England nationally (produced by the Yvonne Arnaud
Theatre, Guildford), the actor/musician productions of Grimms and
A Christmas Carol at Trafalgar Studios and New Wimbledon Studio
(for which she also composed the scores), Look Back in Anger for
the English Theatre of Slovenia, I Ought to be in Pictures
(European tour), open air touring productions of Much Ado about
Nothing, The Comedy of Errors and The Taming of the Shrew,
Absent Friends (Greenwich Playhouse) and Alice in Wonderland (Library
Theatre, Darwen).
Carole
also works extensively as a musician (violinist and pianist) and
composer. As well as
collaborating with theatre companies and film producers on live music
and recorded soundtracks, she regularly plays in bands for musicals, and
was recently the solo violinist for the
West End
run of A Man of No Importance (Arts Theatre,
Leicester Square
). She is currently working
as violinist/Musical Director on The Lighthouse Keeper’s Lunch for
FalconGrange Productions (touring and Henley Festival).
|
|
Phil Gerrard (Philipp Meier)
Photo by Remy
Hunter
|
Phil trained at the Academy Drama
School . His theatre work includes tours for Michael
Friend Productions including St Joan, The Devil’s Disciple,
Cock of the Walk, and The Apple Cart. He has also
performed in several shows for Tricolore Theatre Company including the
lead role in Pirandello’s The Man with the Flower in his Mouth,
an Italian tour of a bilingual adaptation of The Gingerbread Man,
and most recently the premiere of Dermot Murphy’s The Condor and
the Maiden at the King’s Head Theatre. Other theatre
includes The Libertine (Camden People's Theatre), The Office
Party (fluxx Improvised Theatre Company), In the Post
(Hackney Empire), Tat and Ted and Ralph (Rosemary Branch
Theatre), Buskers (King's Head Theatre), An Inspector Calls
(Old Sorting Office, Barnes), A Midsummer Night’s Dream (Herald
Productions), national tours of Pinocchio, Jane Eyre, and Beyond
Reasonable Doubt, and a tour of Slovenia as Cliff in Look Back in
Anger. Television includes Soap Stars Behaving Badly
and Balderdash and Piffle.
|
|
Catherine Potter (Anita Löwenfeld)
|
Catherine trained at The Oxford School of Drama. Her theatre credits include: The Waterseller (Old Red Lion), Swimming
Naked (Barons Court Theatre),
The Meat Cooler (Lion and Unicorn Theatre),
Lunch Hour (OSO Arts Centre), A
Midsummer Night's Dream and Romeo
and Juliet (National Tours), Puss
In Boots (The Theatre, Chipping Norton), Easy
Virtue (Battersea Arts Centre), Summer
and Smoke (Pegasus Theatre, Oxford). She has also
performed in various short films and numerous rehearsed readings.
|
|
Julian Bird (Dr Alader Meier)
Photo by Diego
Indraccolo
|
Trained
at Central 2004
Julian has a background in psychiatry. TV and film
credits include The Tudors (The
Bishop of London), The Red
Restaurant (Dir: Jo
Shaw) and Cold Burden (Dir:
Pouya Tavasoli) . Theatre credits include leading roles in Meslier
(‘His presence is entirely convincing’: Scotsman),
Dazed and Abused (Edinburgh,
London
and
New
York
),
The Last Priest (‘Top Five
Theatre’ in the Times), Three Sisters (‘His Chebutikin was breathtaking … the highlight
of the play’ Remote Goat), Peer
Gynt (The Plaisance), Look
Back in Anger (
Greenwich
)
and As You Like It.
|
| Kayleigh
Heathcote
(Photo
to follow)
|
Recently
graduated from Mountview Academy of Theatre Arts, Kayleigh Heathcote has
always had an interest in the entertainment industry.
Whilst training at Leeds College of Music, her passion for Stage
Management was realised. Credits include; ‘Cooking
With Elvis’ Lighting Technician, ‘Anne
Frank’ DSM (Tour), ‘Into
the Woods’ DSM, ‘The
Accrington Pals’ Stage Manager, ‘Acting
Showcase’ Stage Manager, ‘The
Strip’ ASM, ‘Moving Pictures’ Design Assistant.
|
